Joseph Haydn

Haydn’s English songs, The Canzonettas, are an important collection of Franz Joseph Haydn’s work and a true turning point in the development of the Art Song. IPA Source offers the IPA text for all 12 of Haydn’s English Canzonettas.

(Image source: Haydn’s English songs: the canzonettas by Ray Heigemeir, Public Services Librarian for Music, Stanford University, http://library.stanford.edu/blogs/stanford-libraries-blog/2014/11/haydns-english-songs-canzonettas)

Upon the death of his court benefactor, Prince Nikolaus, in 1790, Haydn was sent in to retirement by the prince’s unmusical successor. Still at the height of his fame and musical abilities, Haydn chose rather to accept an invitation by the German composer and impresario, Johann Peter Salomon to present his new symphonies with a orchestra before an already adoring public in London. Thus, Josef Haydn, the longtime court composer, began his new life as an independent musician.

Haydn Meets Poet, Anne Hunter

The journeys (1791–1792 and 1794–1795) were a great success, garnishing Haydn both fame and fortune. For the development of the Art Song, his time in London had special significance where he made the acquaintance of the vastly improved pianoforte Broadwood and the poet, Anne Hunter, wife of the renowned surgeon and anatomist Dr. John Hunter.

The English pianoforte was truly a revelation for Haydn whose previous keyboard works were written for the Viennese Stein pianoforte with a much lighter touch and tone more akin to the clavichord and harpsichord than the modern piano. The English instrument possessed a stronger, more robust tone capable of a greater range of dynamics and sustaining power. Anne Hunter was already a successful and influential lyric poet, known for her social literary parties, when Haydn arrived.

A True Turning Point In The Development Of The Art Song

The result of this fortunate professional collaboration with Mrs. Hunter and the new possibilities presented by the more powerful English pianoforte was a true turning point in the development of the Art Song. Whereas Beethoven is credited with the development of the first song cycle, it was Haydn with the English canzonettas who gave us the first marriage of keyboard, voice and poetry which was to become the hallmark of the 19th century Art song.

—

‘It seems clear that Haydn’s intention was to compose technically easy songs which could be sung at sight by any educated music-lover and played on the piano a prima vista by the average lady of musical inclination … Haydn’s earlier Lieder had not been entirely successful, for the texts were generally second-rate – in accordance with the prevailing bad literary taste in Vienna at the time – and some of the criticisms in German literary and musical journals had been distinctly unfavourable. The English texts by Mrs Hunter, although in the pastoral-cum-sentimental English tradition, are far better than Haydn’s previous German texts. Musically, too, the English Canzonettas are worlds away from the kleinbürgerliche literary trash which Haydn, who like Leonardo used to call himself “un uomo senza lettere”, indiscriminately set to music’ (H. C. Robbins Landon, Haydn: Chronicle and Works. [Vol. III] Haydn in England, 1791-1795 (1976), pp. 377-8).

– From Bernard Quaritch Ltd. rare books: http://www.quaritch.com/books/haydn-franz-joseph/dr-haydn-s-vi-original-canzonettas-for-the-voice-w/E1223/

IPA Text of Haydn’s Canzonettas

Sailor’s Song, as set by Franz Joseph Haydn Sailor’s Song, as set by Franz Joseph Haydn

https://www.ipasource.com/sailor-s-song-6512.html

A Pastoral Song, as set by Franz Joseph Haydn

https://www.ipasource.com/a-pastoral-song-6513.html

Piercing Eyes, as set by Franz Joseph Haydn

https://www.ipasource.com/piercing-eyes-6514.html

The Spirit’s Song, as set by Franz Joseph Haydn

https://www.ipasource.com/the-spirit-s-song-6515.html

The Mermaid’s Song, as set by Franz Joseph Haydn

https://www.ipasource.com/the-mermaid-s-song-6516.html

Despair, as set by Franz Joseph Haydn

https://www.ipasource.com/despair-6517.html

Fidelity, as set by Franz Joseph Haydn

https://www.ipasource.com/fidelity-6518.html

O Tuneful Voice, as set by Franz Joseph Haydn

https://www.ipasource.com/o-tuneful-voice-6519.html

Content, as set by Franz Joseph Haydn

https://www.ipasource.com/content-6520.html

Recollection, as set by Franz Joseph Haydn

https://www.ipasource.com/recollection-6521.html

She Never Told Her Love, as set by Franz Joseph Haydn

https://www.ipasource.com/she-never-told-her-love-6522.html

The Wanderer, as set by Franz Joseph Haydn

https://www.ipasource.com/the-wanderer-6523.html

Sympathy, as set by Franz Joseph Haydn

https://www.ipasource.com/sympathy-6524.html

Interested in more from Papa Haydn? View our entire collection of IPA texts as set by Franz Joseph Haydn on IPA Source here.

Joseph Haydn, born March 31, 1732, was an Austrian composer. Haydn had involvement in the development of chamber music and is sometimes known as the “Father of the Symphony” and “Father of the String Quartet.”

Haydn was a court musician for a good portion of his career, which largely isolated him from other composers and music trends.

A celebrated European composer, Haydn was friend and mentor to Wolfgang Amadeus Mozart and teacher to Ludwig von Beethoven. Haydn passed away May 31, 1809.

Learn more about Joseph Haydn via Wikipedia here.

Hand-curated by voice type, a selection of texts available on IPA Source, as set by Joseph Haydn: